Cast : NagaChaitanya, Karthika Direction : Vasu Varma Music : Sandeep Chowta Produder : Dil Raju
Note:Audio Cds Will Hit The Market On 20th July.These Are Recorded Songs
Audio Lauch of this movie is going to be hit all over india on 18th of july with Big Celebs attending the function of the audio launch. Naga Chaitanya is the son of Nagarajuna's first wife & its also nag son's first movie.Will it break Chiru's son's records.We Shall Wait and see..
The audio of action hero Nagarjuna's son Naga Chaitanya's debut film Josh, directed by Vasu Varma, has been scheduled to release on July 18th. The film’s music is by Sandeep Chowta, and it has been produced by Dil Raju
Movie Review Avva comes as a breath of fresh air, in terms of its story content, narration and even authentic characterization. It also presents the rural milieu in a most realistic fashion, with all its crudeness, cruelty, humanity, exploitation and social discrimination. Kavitha Lankesh has really bounced back through the film which is based on the novel written by her father Late Prof. Lankesh. Lankesh is certainly one of the best writers in Kannada literature and this novel that was written some time in the late seventies, was much appreciated for the deep insights it offered into rural life and the authentic portrayal of its characters. Obviously Kavitha who got into film direction with the film Deveeri based on her father’s short story thought of again going back to her father’s rich literary contribution to stage a comeback. Her previous film ‘Kalki’ based on a story written by the Tamil writer Kalki was a big flop. Avva revolves around Aane Baddi Rangavaa, a fiercely independent widow who is highly protective towards Savanthri. Savanthri has already become an object of titillation for the rural folk, but she is in deep love with Byaadara Manja who belongs to a lower caste. And there are other characters like Michine Baramanna, a highly jealous trouble shooter and a teen aged boy Kariya who observes all the things that happen around him with curiosity, anguish and disgust. There is also Sanneeraiah who is a typical character that could easily be seen in every village. While P.Lankesh chose to narrate the story through the eyes of Kariya the boy, Kavitha has taken liberties to go ahead with a straight forward narration of the story. Though she is loyal to the main plot of the novel, Kavitha has also shown some discretion and independence. Perhaps this may not go well with the people who have much liked the novel and instead may appeal to the audience who see the film without having read the novel. The dialogues of the film written by Chandregowda are first rate, and some of the dialogues have been taken straight off the novel. The dialogues may seem a bit crude, but Kavitha has retained them because of her passion for a realistic presentation. And the folk oriented songs composed by music director Issac also bring in some relief. Award winning cameraman Madhu Ambat has captured the rural beauty at its best. Kavitha has taken courage not to include any superficial thrills or even a fight sequence, even with action hero Vijay in the leading role. There are many abusive dialogues which have been retained in the film, and a few bold kissing sequences which made the Censors hand over an A certificate to the film. But Kavitha has placed confidence on the strength of her script and has decided to go ahead with all these sequences, without much worrying about the A certificate tag. Shruthi comes out with a stunning performance in the role of Aane Baddi Rangavva. For a popular hero like Vijay the film offers a character of substance; something that he had been denied so far. He does not get much screen prominance like in other films, but still comes out good with a fabulous performance. New comer Smitha is a revelation and is certain to go places. Rangayana Raghu, Arundhathi Jathkar and Enagi Nataraj have delivered superb performances as well. Watch Avva Kannada Movie
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Movie Review When academic institutions are keeping quiet and government is not bothered to give perfect medicine to the campus love and struggle in the college days the film media – Abhay Jyothi Cine Creations has done a fine job in a neat way. Whether it is love or life the film asks the students of today is fittingly narrated for the good of all.
SR Brothers giving poor performance in 'Nanjundi' has taken the revenge by giving a pleasant surprise. Some of the scene conceiving is good, the performances are above average, songs are very well done and cinematography is another cynosure of the film 'PUC'. Please U C is the catch line for the title of the film goes OK with the making of the movie. The film could have been pruned by 15 percent would have been very interesting.
Bavish hailing from a poor family is a very bright student in the college. He is always a front runner in scoring marks. Such a bright student falls in love with Gowri daughter of a retired judge. Gowri although loves Bavish keeps her concentration on studies intact but not Bavish. In the final examination Bavish scores second class and he is not able to fulfill his promise to parents. Gowri glorious results and forging ahead in life according to her father guidelines changes the whole attitude of Bavish. He makes up his mind that love is not everything in life. Joining degree classes he shows it to the society that hard work and sincerity in profession keeps him in a good status. By the time he meets Gowri she is with a kid and husband not adjustable in her life.
Chetan Chandru has given wonderful performance in his debut. He has the right looks and physique. He is another promising youngster no doubt about it. Harshika Poornacha and Karishma not fit the heroine post. Avinash and Vinayaprakash are superb as couple.
Raviraj the student from the camp of national acclaimed director Hamsalekha has kept up the hopes. He gives three very refreshing tunes. Cinematography is adequate from Suresh Babu.
A good attempt indeed from first time producer Sharana Gowda Patil!
Watch PUC Kannada Movie Online PUC Kannada Movie Part-1
PUC Kannada Movie Part-2
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"Ambari" can be called a 'road film' as most of the sequences are shot on the road during a long journey undertaken by the movie's protagonists.
But "Ambari" doesn't have an entertaining narrative like Aamir Khan's 1991 hit of the same genre, "Dil Hai Ki Manta Nahin". Neither does it make you think and ponder like Kamal Hassan's "Anbe Sivam" or "Mr and Mrs Iyer" that featured Rahul Bose and Konkana Sen Sharma.
Arjun has written an illogical script for the film that has unbelievable sequences like the lovers travelling to the Taj Mahal in Agra all the way from Bangalore on a bicycle! And even after making this tedious trip, the young hero does not show any sign of fatigue and is prepared to bash up a bunch of villains.
The lack of freshness in the script takes the film to lower depths in the second half. Though the first half is engaging in parts, the second half is highly predictable and lacks comic elements. This is the main reason why "Ambari" ends up as ordinary fare.
The revenge element is a take-off from Tamil films like "Sandai Kozhi".
Coming to the positive side, the highlights of "Ambari" are the songs composed by Hari Krishna and the camera work by Sathya Hegde. "Baare Baare, Taare Taare" and the title song are well composed and choreographed. Yogeesh's dialogue delivery and fight sequences may appeal to his fans and newcomer Sampreetha impresses.
The protagonist of the film is Dhanush, who leads a simple life working as a cobbler. His father is an irresponsible drunkard. Saro, a college girl, falls in love with the good-hearted Dhanush within a few meetings. Dhanush rejects Saro's overtures and her parents too are upset.
Saro finally convinces Dhanush about the sincerity of her love and he then decides to elope with her on a cycle. Saro's father, meanwhile, asks a don to find his daughter and kill Dhanush. The lovers overcome all obstacles and complete their journey of love to the Taj Mahal.
The narrative of this long journey is tedious and many of the incidents that occur during their travels fail to entertain.
Yagna Kannada Movie Review “Yagna” was publicized as an action-oriented horror film, but it ends up as a horror of horrors. This Kannada film is illogical and uninspiring and seems to have gone terribly wrong in every department.
Two things become apparently clear after seeing director Krishna Brahma’s “Yagna” - firstly a talented actor like Sree Murali, who had a great beginning with a film like “Chandra Chakori”, seems to have perfected the art of choosing wrong subjects. And secondly, Krishna Brahma needs to brush up his narratorial skills.
“Yagna” lacks freshness and its narration is pedestrian. Producer Shankar has taken the storyline from actor Charmmee’s successful Telugu film “Manthra”, which released just a year ago. Krishna has just made some cosmetic changes to present his own version of “Manthra”.
To make the project economically viable, producer Shankar has included many Telugu artists like Jayaprakash Reddy, Venu Madhav, M.S. Narayan and L.B. Sriram.
Krishna Brahma repeats the same old stereotypes associated with almost every other horror flick - door locks being opened, curtains oscillating, antique objects shown in different angles - and nothing of these gimmicks take you to the edge of your seat.
And many sequences of the film are predictable. The film comes into life just before the climax, but the director has floundered in this as well.
The film is about Anji, a carefree youngster who works for a city-based don. Known to be a daredevil, Anji is sent to a haunted house by the don, who wants to usurp the property. Anji goes into the cursed house with his friends and is witness to the weird goings-on in the house.
In the meanwhile, Yagna, a music student,, comes to the house along with her friends on a project. But a murder in the house forces Anji and Yagna’s friends to leave the house.
As the story progresses, Yagna declares her love for Anji and wants to marry him. She also reveals that she is the legal heir of the disputed property.
But Anji goes ahead with his investigations into the murder and it is later revealed that he is actually a police officer.
Sree Murali may have to refuse projects like “Yagna” now onwards. He is good in action sequences, but his efforts are wasted because of the poor narrative. Debutant actress Priyanka indulges in a lot of skin show in the song sequences.
The so-called comedy by Om Prakash Rao and a galaxy of Telugu artists are in poor taste.
Krishna Brahma has also failed to bring the best out of the technicians. Music director Murali Krishna, who gave a few good tunes in his first film “Neene Neene”, has fumbled in his compositions. Nothing special can be written about Niranjan Babu’s camera work either.
“Yagna” is an ordinary film. It may not be liked even by fans of the horror genre.
Nanda can be slotted as a weak action film which just ends up as an old wine in a old bottle. The film scripted and directed by Anantha Raju does not have any credence in the form of a story line or any logical narration. Leave alone lead actors like Shivaraj Kumar and Sandhya, the director has simply wasted a battery of talented artists and technicians. The film suffers because of many negative factors including a weak plot.
The quality of Nanda is so bad that it raises doubts about the way Hatrick Hero Shivaraj Kumar is choosing his films. Neither the story has anything to cheer about or the narration of the director. Anantha Raju who had worked as an associate director till recently seems to be incompetent in handling an action subject. And just because a few gangster films of the actor have succeeded in the Box office, Anantha Raju has scripted his film which includes a number of fight sequences. Without any fresh elements, Nanda fails to generate any interest. The narration is filled with dragging elements, weak dialogues and unimaginative handling. Anantha Raju who had earlier directed a film like Masth Maja Maadi has made a mess of his work in Nanda. MMM is the remake of Hindi Hit Dhamaal and Anantha Raju had faithfully followed the original. But in Nanda, his imagination has gone hay wire. Basing his screenplay on the story written by producer Mahim who has also played an important role in the film, Anantha Raju has shown his incapability to write a credible script.
The fight composer seems to have a field day in the making of the film. You have many number of fights where more than twenty villains are bashed by the hero. Different type of weapons are used for the fights. Blood and gore are part of these fights. In addition to these violent fight sequences, Nanda also has some comedy sequences which are made with a very poor taste. Perhaps this is one reason why the audience in the theatre are seen moving out of their seats very often in the song and fight sequences.
Nanda is the owner of a Canteen in a College. He is always refered to as Senior by the college students who seek his advise on all the things. Kavya is secretly in love with Nanda who helps his friend to marry her sister. Nanda gets into the wrong books of Kavya’s mother and her uncle who is the Police Commissioner. Nanda wants to marry Kavya despite the resistance of the Police Commissioner. He lands up in Jail on a foisted case. Then he is also used as a pawn by two rival Muslim gangs. Finally Nanda wins his battle by becoming a gangster himself.
Such stories have been seen many times in the Kannada screen and Raju has not infused any fresh elements in the story.
Shivaraj Kumar looks good only in the fight sequences and a song picturised in Bangkok. Sandhya who makes a debut through this film has got a weak role which offers her nothing to showcase her talents. Even veteran artists like Avinash, Shobharaj, Rangayana Raghu, Sharath Lohithashwa, Bhavya and Vanitha Vasu have not been properly used in the film.
Veteran music director V.Manohar’s composition is just average. He has always been inconsistent in his work so far.
Nanda does not offer anything new. It is just a below average fare.
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