Thursday, February 26, 2009

Maadesha Kannada Movie



Banner: L.G.Anupam Film City
Cast: Shivarajakumar, Ravi Belegere, Sonu Bhatia, Ravi Kale
Direction: Ravi Srivatsa
Production: B.M.Goverdhana Murthy
Music: Mano Murthy

Maadesha Movie Review

This is a protracted punching and punishing action extravaganza. The Shivarajakumar fans can get two films action scenes in this one film 'Maadesha'. Despite of Censor going very strong on this film and giving revised 'A' certificate there are objectionable scenes and dialogues in this film that point to 'Khaki'. Where is necessity for Shivarajakumar to be a part of this kind of irresponsible film is the question that strikes the mind. 'Khaki' appears to me like puller of body to the grave yard could have been avoided. Shivarajakumar films in the past never made so much of gruesome attacks on the system we are living in.

Director Ravi Srivatsa in the cloud of controversy right from the beginning of his career in 'Deadly Soma' has made this film for a section of audience. He is fond of creating sensation it seems. The permanent fans of Shivarajakumar family audience would not dare to come and watch this film. Violence is so furious. For the young and feeble hearts this is going to faint them in some particular action scenes.

Young Madesha (Shivarajakumar) for abusing his mother kills a pavement petty businessman. He serves 14 years jail term and decides to make it big in Bangalore. A village boy Madesha with companion of elephant always has the strength of elephant. Working in a petrol bunk Madesha take on the biggest underworld don of Bangalore Khan and his gang. From a hammer he kills Khan and gets protection from petrol bunk owner Sircar (Ravi Belegere). The police are fed with money and Madesh fierce attack and killing is overlooked. In the tutelage of Sircar it is Madesha who builds up his empire. On many occasions Madesha takes the decisions on his own overlooking his boss and that irritates him. For all nefarious activities Madesha is used and obviously he becomes the cynosure in the eyes of underworld, police and politicians.

Madesha dynasty overrules his mentor Sircar is a great insult. But Sircar go to Chadagappa the Home Minister to apply breaks on Madesha. A strict cop Ravi Kale arrives on the scene and after a few encounters with Madesha he is finding proof to serve arrest warrant on him. Madesha flew to Australia to settle down slipping away from law. He announces that he is coming back after sometime and that will be Part-II of Madesha goes the statement on the screen.

Shivarajakumar the action hero and emotional best actor in Kannada cinema should have asked the director to cut short the violence. However this is a treat for Shivarajakumar fans. Sonu Bhatia is wasted. Ravi Belegere, Vijayasarathy and Ravi Kale have come out superb. All the three enjoy good dialogues. The side actor all these years Muni has found a good placement in this film. Padmaja Rao is apt for the mother role.

Munjana Manjaagu….Lahari Moha Lahari….are well sung, well captured on screen. Mano Murthy once again shows how great his tunes are. The background score of Sadhu Kokila lifts the film. G.S.V.Seetharam the permanent cameraman in the trailblazer V.Ravichandran camp has been marvelous. Storing 1.25 lakh feet and bringing it to 14000 feet on screen with lovely top angle shots, some fine editing gives a good technical standard to this film.

If you are an action buff this is a must watch film!

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Moggina Manasu Kannada Movie


Cast: Radhika Pandit, Shuba Punj Sangeetha Shetty, Manasi, Skandha, Manoj, Harsha, JD Nagaraj, Avinash, Bhavya, Achyut Rao, Sudha Belawadi, Jai Jagdeesh, Thulasi, Chikkahejjaji Mahadev, Master Kishen

Direction: Shashank
Production: E. Krishna
Music: Mano Murthy


Mugina Manasu Movie Review

The second film from 'Mungaru Male' producer E.Krishnappa coming on the screen after a battle with the regional censor board with U/A certificate from Tribunal is good in some parts. The routine style of narration of teenage girls crossing limits and parents getting worried is out of date subject. Having four cases of teenage girls the director tries to hold a mirror to the society in an avant-garde style. The style of narration is not absorbing and it is easily imaginable. It is a freak out time for teenage girls and boys but highly tension ridden life for parents.

Director Shashank catches up with this and makes a prolonged narration. At drop of a hat everything is understandable today. For such atmosphere here there is no point in consuming more time. The home work of the director Shashank who directed 'Sixer' in the last year is not of high quality. The high quality he gets from cinematography and music department of course there are some pretty looking girls on screen.

Passing out SSLC girls Renuka Devi (Shuba Punj) and Chanchala (Radhika Pandit) join the Queens College for pre university study. After initials pranks from Sanjana (Sangeetha Shetty) and Deeksha (Manasi) the first year degree students all the four become thick friends.

Insistence on having a boy friend for Renuka and Chanchala although not acceptable is enforced in the film by the director Shashank with no social responsibility. After having a boy friend what is the state of affairs in life? It is ditching for Renuka Devi who commits suicide while Chanchala showing affection to singer Rahul (Yashas) withdraws from her decision at this stage to prosper in her studies. Facing the dejection is the situation of popular singer Rahul now. Rahul waits after a beating but in the end to get back Chanchala.

Radhika Pandit the newcomer is a treat to watch. She has the right ability and surely reaches the top spot. Shuba Punj in an innocent role is very attractive. Manasi and Sangeetha Shetty are cool in their roles. As the caring parents Achyuth Rao and Sudha Belawadi show good support. Master Kishen the child prodigy in a small role is attractive. Among the new boys Jedi Nagaraj has the perfect looks. Others are fit for supporting character roles. Sharan comedy is boring and senseless.

Two other fabulous contributions are from cinematography by K.S.Chandrasekhar and melody king Mano Murthy. Among all the songs Male Baruvahagidhe Manaveega Hadidhe….is rich in melody, lyrics and there is visual treat.

For the teenage trauma and throwing the dreams at whims and fancies 'Moggina Manasu' is a half hearted attempt.


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Haani Hani Kannada Movie


Cast & Crew:

Banner: V.C.R.Productions

Cast: Tarun, Pooja Gandhi, Rangayana Raghu, Lokanath, Jai Jagdeesh, C.R.Simha, Dattanna, Bhavya, Chitra Shenoy, Veena Sunder, Ramya Barne, Kishori Ballal, Vijayalakshmi

Direction: Sharan
Production: P.Veerakumar, N.Chandru, M.Raju, Azam
Music: S.Channa

Haani Hani Kannada Movie Review

The story of ‘Hani Hani’ directed by Sharan is not unusual in the sense that you would have seen hundreds of films with similar backgrounds in the past. But what makes the film really worth a watch is the director’s manner of presenting it. He presents the film without any confusion and adds up pep in the form of some brilliant songs and good visuals. And some twists towards the end of the second half do come as something unexpected and enjoyable.

Sharan’s track record so far has been making films without a powerful script and command in the narration. Obviously Sharan seems to have learnt his lessons in this venture, where he presents the film in a neat fashion. And he has skillfully arranged the comedy sequences perfectly which provides good relief to the audience. Music director Chinna is awesome with his song compositions and they are finely shot as well.

But the film does have its share of negatives. There are many lagging sequences that the director could have easily chopped off. And some of the comedy sequences end abruptly, much to the discomfort of the audience. One is really not sure if they got chopped off at the editing table or by the Censor Board.

‘Hani Hani’ revolves around the love element between Rahul and Ramya, both of whom are college students. Ramya does not have the courage to intimate her family members about her love and would rather elope with Rahul. But Rahul would rather gain the consent of every family member and then tie the knot. Ramya belongs to a large joint family, with more than thirty members, staying together in a huge bungalow. They lead a merry life with the Patriarch leading the pack. Raahul enters the family and wins the heart of others in the family, and makes all efforts to get the approval of the big family for his marriage.

Tarun who has acted for the first time in a full-fledged hero’s role has struggled to get the right emotions in the film. He dances well. Pooja Gandhi looks glamorous and she has improved her performance skills. But it is Rangayana Raghu who steals the show with his comic timing that literally has us in splits. Sharan deserves credit for drawing a high rated performance from the young comedy actor whom he has introduced. All the other character artists are perfect choices as well, and have done a good job.

‘Hani Hani’ banks heavily on its music. Chinna who has worked for the Telugu film director Man Sharma has done wonders in the song compositions and even his background score is quite noteworthy. M.R.Seenu’s camera work rightly captures the visual beauty of Bangkok, Pattaaya and other places.

‘Hani Hani’ is an enjoyable fare despite some dragging sequences. And the music of course, rocks!

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Wednesday, February 25, 2009

Meravanige Kannada Movie


Producer - Bandhu Mitrararu
Banner – Sri Muneshwara Films
Direction - Mahesh Babu
Cast – Prajwal Devaraj, Andritha Ray, Sadhu kokila, Komal
Story - Janardhan Maharshi
Cinematographer - Mahesh Talkad
Music - V Manohar
Stunts – Danny, K.D. Venkatesh, Ravi Varma

Meravanage Kannada Movie Review

Prajwal Devaraj's Meravanige has finally hit the screens after it was launched nearly one year back. Yet the film turns out to be a neatly packed film with some good creative inputs. Mahesh Babu's handling of a love story is quite different from what he did before and is quite different from the films which are being released now.

'Meravanige' tells the story of Vijay a careless son of a top cop. Vijay spends his time in kidnapping his lecturer's son and blackmailing him to give the questions papers rather than studying hard. He always has qualms with Nandini his college and class mate regarding petty issues. Nandini is also the daughter of another top cop who happens to be a close aide of Vijay's father. Both the fathers fix their children's marriage without their knowledge. Just when everything goes haywire, terrorists kidnap them and hides them in the forest. How loves blossoms between the two and how they escape from the forest forms the rest of the film.

'Meravanige' maintains a good pace like in any other Mahesh Babu's film. But for the crudeness in some of the comedy sequences in the film, 'Meravanige' is a nice presentation with some minor negative aspects here and there. The credit for a neat presentation once again goes to Mahesh's Babu's screenplay and direction. Babu engages the audience with some interesting twists here and there particularity in the second half of the film.

The performances of the artistes are equally notable. Particularly Prajwal. He carries the film simply on his shoulders from start to finish. Whether it is comedy or action or sentiment Prajwal is a treat to watch. Andrita Ray is the surprise package of the film. Though much cannot be expected from her in terms of acting, she is lively and lovely. Avinash, Bhanuchander, Sadhu Kokila, Komal Kumar provide adequate support.

Music by V Manohar is good. "Yelliruve Neenu", "Nannolave Nannolave" are pleasent. "Pathangavaagi Naa" has shades of "Zara Sa Jhoomloon Mein" from Dilwale Dulhaniya Le Jayenge. Mahesh Talkad's camera work also gets accolades.

Meravanige is worth watching by the entire family.


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Friday, February 20, 2009

Birugaali Kannada Movie



Cast - Chetan Kumar, Sitara Vaidya, Aakanksha Sontalia, Charisma Bharadwaj, Taara

Music - Arjun
Director - Harsha A
Producer - Adarsh Enterprises

"Birugaali" is Harsha Reddy's second directorial venture. Just like his first film "Geleya", the choreographer-turned-director has used all the commercial ingredients in this film too.

While "Mungaru Male" writer Preetham Gubbi wrote the story of his directorial debut, Reddy has himself penned the story of his second film.

His debut film "Geleya" did show sparks of his talent and he won accolades for beautiful picturisation of songs. Even in his second film "Birugaali" the song picturisation is classy and choreography is perfect. But the film suffers because of a weak story and slow pace of narrative.

Set in the underworld, "Birugaali" is a romantic film. But the narrative is so slow that the second half drags. There are too many unnecessary sequences in the film that makes it a dull fare.

The story revolves around Hachchi who is in love with Karishma. There is another girl called Anju who is in love with him, but she never shows her emotions. Meanwhile, Hachchi gets involved with underworld dons who want to have a full control over the crime world. And they are being helped by a police officer.

How Hachchi comes out of their clutches forms the rest of the story. And there is also a sentimental angle to the whole story when Hachchi's identity is revealed by his mother.

Chethan, who had excelled in his first film "Aa Dinagalu", proves his mettle in action and sentimental scenes. Though he has worked hard to get the required physique for the action scenes, he doesn't look convincing in romantic sequences.


Sithara Vaidya has got a good role in the film and Tara is impressive too. H.C. Venu has done a good work behind the camera. Arjun's compositions are melodious. The song "Madhura Pisumaathige" is well-composed and well-picturised.

"Birugaali" could have been a good entertainer if the narrative was a little fast. The film can be seen once.


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Junglee Kannada Movie download Links

Cast: Vijay, Andrita Ray, Rangayana Raghu, Adhi Lokesh, Sureschandra, Megabhagavatar, Kashi, Jaidev, Balu, Naveen
Director: Soori
Producer: Rockline Venkatesh


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Friday, February 13, 2009

Junglee Kannada Movie


Cast: Vijay, Andrita Ray, Rangayana Raghu, Adhi Lokesh, Sureschandra, Megabhagavatar, Kashi, Jaidev, Balu, Naveen

Director: Soori

Producer: Rockline Venkatesh

Soori directed Junglee has an assemblage of many top technicians of the Kannada film industry. Duniya Vijay who earlier got his first break as a hero under Soori has acted in the title role of this film. Since the audio of the film had become a chart buster and the songs had a popular appeal, many film industry personalities had expected this much expected film to revive the depleting fortunes of the Kannada film industry. However the film ends up as an ordinary fare thanks to a confusing script and crude narration by Soori.

Despite excellent song sequences, Andrita's glamour and a few action sequences featuring Vijay, Junglee has nothing else to write about. Soori's writing ability which had excelled in his earlier films has gone for a toss in this film. .

Though Vijay enjoys good screen chemistry with Rangayana Raghu, some of the dialogues written for them are in poor taste. And too many sequences look repetitive and irritating. And even the love sequences between the hero and heroine lacks subtlety which lessens the impact. Soori has depended more on the commercial aspects in Junglee than following the pattern seen of presenting harsh realities on screen.

Another weak point Junglee is that film lacks authentic touch. The characters in the film do not represent the characters that we often see in our midst.

The highlight of the film is certainly the songs. The composition and lyrics are good.
Yogaraj Bhatt's lyrics in Hale Paathre and Powder Haakkollo are mass oriented while Jayanth Kaikini writes one brilliant song Neenendhare Nannolage. Andrita Ray looks sensuous and glamorous on screen in all the three songs.


Here is the brief description of the story. Junglee Prabhakar wants to become an actor and takes the help of Gudde Narasimha, a good for nothing person who however is very influential. Gudde takes him to a retired Don Guruswamy for getting him a film offer. Meanwhile, Junglee falls in love with a college girl Padma and tries his best to please her. During one of the inter gang fights between rival groups, Junglee saves Guruswamy. But Padma's father is killed in the process. Padma wants Junglee to severe his connections with the gang. And there is a big story later told in straight and flash back narration which could be best seen on screen.

Performance wise, Vijay shows his mettle in a few sequences. Rangayana Raghu irritates in a few sequences. Andrita is good in dance sequences. Aadi Lokesh has nothing much to do in the Villain's role. Nanjunda and Sureshchandra are good in their respective roles.
Hari Krishna's music and Sathya Hegde's camera work are really good.

Junglee is a mixed bag. It could have been a better film if Soori had worked a little more on the script.

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Thursday, February 12, 2009

Minchina Ota-2008



Movie Name: Minchina Ota
Release Date: 10th July 2008
Director: A.M.R.Ramesh
Producer: Sa. Ra. Govindoo
Starring: Vijaya Raghavendra, Murali, Lakshmi Rai, Mukyamanthri Chandru, Rangayana Raghu, Suman and Rahul Dev.
Music: V.Manohar

Minchina Ota Movie Review

Director AMR Ramesh got laurels for good cinematography done by Randy in 'Cyanide' and he continues it in 'Minchina Ota'. Thanks to cinematographer of high caliber P.Rajan this time. His work is the only redeeming feature of the film. The siblings Vijaya Raghavendra and Srimurali for the first time do not set a tall order. The lack of good story and usual screenplay is a big bottleneck of this film.

For the trumpeting what the director AMR Ramesh made has not given the triumphant results. His over confidence and immature thoughts gobbled a few crores of rupees. Why the senior producer Sa.Ra.Govindu was not vigilant on the making of this film? This is not the time to make a film with very low standards. The involvement of siblings Vijaya Raghavendra and Srimurali is also lacking. At least they could have given some refreshing thoughts for the film. It is nothing but just one more addition to their list of films.

What this action packed 'Minchina Ota' says - Bhadra (Srimurali) and Vijay (Vijay Raghavendra) are at loggerheads. What is the strong reason? The director has forgotten to add. Lakshmi Rai the bubbly tall beauty has liking to slum living Bhadra. Vijay is interested in Lakshmi Rai but the humanity of Bhadra earns the love of Lakshmi Rai. Hesitantly Bhadra agrees to love Lakshmi Rai but Vijay on the other hand unknowingly that Lakshmi Rai is the sister of strong underworld don Rai in Mumbai inform him to see the end of Bhadra.

The major attack that follows from Rai gang puts down Bhadra severely hurt. Lakshmi Rai begs her brother not kill Bhadra and agrees to come with him to Mangalore. She even agrees for the marriage in Mangalore. At one corner of her heart she is optimistic that Bhadra will come to take her. Vijay knowing the pure love of Bhadra and Lakshmi Rai prior to this attack comes forward to give medical aid to Bhadra. Vijay even gives three bottles of blood to save Bhadra from death bed.

After recouping from severe blows it is time for Bhadra to reach Lakshmi Rai who is in Mangalore. Vijay also accompany Bhadra in the car and it is chasing time. As the caption of the film indicates it is 'Live to Chase and Chase to Live'. The Rai gang is very cautious on the moves of Bhadra gives him all sorts of trouble on the way. The big tormentor is the heavy truck driven by Rahul Roy who is given task of finishing off Bhadra. Against all odds Bhadra and Vijay reach underworld Rai spot in Mangalore. Rai is convinced that Bhadra can look after his sister very well.

A highly talented Vijay Raghavendra is not used properly in this film. The heroism is attributed to his brother Srimurali. When the siblings do not have equal roles where was the need to bring them together? Srimurali is splendid in action scenes. He has built the physique accordingly. Rangayana Raghu and Umasri combination is tortuous. Others do not deserve any mention.

The car hitting the train last bogie is not chilling. What the director explained has not come out on the screen.

V.Manohar is able to give only two lovely tunes. The main hero of the film is cinematographer P.Rajan. There are some beautiful shots that look like paintings on the screen. He is sure to be in the competition for awards.

AMR Ramesh it is time you make better films and save the sincere producers like Sa.Ra.Govindu. You have disappointed completely in 'Minchina Ota'.

source-indiaglitz

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Buddhivantha Kannada Movie


Cast: Upendra, Pooja Gandhi, Nethanya, Brunda, Saloni, Suman ranganathan, Lakshmi

Director: Ramnath Rigvedhi

Producer: S.V.Rajendra Singh Babu, A Mohan


Buddhivantha Kannada Movie Review

Upendra's new film Budhdhivantha directed by Ramnath is the remake of K.Balachandar directed Naan Avanillai released three decades ago. Though Budhdhivantha's main story revolves around the Tamil film which was based on a Marati play written by Acharya Atre.

The narration of the Kannada film has many things common with the recently released Tamil film with the same title directed by Selvam. Even the song tunes of the Tamil film have been lifted in Budhdhivanth which are however well choregraphed. Budhdhivanatha can not be out rightly dismissed as another remake film because of many original inputs that have gone towards the making the film.

The first and foremost is that the climax sequence of the film has been altered to suit the image of Upendra and also the native tests. It is the best part of the film. The court sequences in the film are much better than what was seen in two versions in Tamil. And the Rayalaseema portions where Upendra speaks Telugu dialogues and spoofs some Telugu heroes is outstanding.

Upendra shines as an actor and a writer and his contribution to make the film an entertaining product can not be undermined. Though he has shared the dialogues work with Venkatnarayan, it is evident that he has written dialogues for the key sequences and in the court room sequences. The film's five heroines have jelled well with the Real Star. Vijay Anthony's exceptional music and Giri's photography have been the major highlights of the film.

The story revolves around Panchamrutha who has been charged by four women that they have been cheated by them. Panchamrutha is arrested and produced in court, but he claims that he is innocent. He argues that the gullible girls have been cheated by some one looking like him and they have foisted falls cases on him. Finally he argues the case on his own and wins the battle in court. Meanwhile, the Judge's daughter who is watching the proceedings becomes a great fan of Panchamrutha. Finally Panchamrutha reveals as to why he had played tricks with the four women.

Upendra rocks in the film from the first sequence. His performance in this film can be regarded as one of the best in recent times. And his seven get ups are the highlights of the film. Lucky girl Pooja Gandhi attracts with a bubbly performance. Suman Ranganathan is also good. Nethanya, Brunda and Saloni have performed their roles with ease.

Budhdhivantha's strong point has been the picturisation of songs which perfectly fit into the song compositions. Chithranna Chithranna has already made a big impact in the audio world. All the songs are excellently shot. R.Giri's cinematography with its top angle movements is exceptional. The editing ensures a very good pace.

Budhdhivantha is a definite entertainer which gives full value for the paisa you spend. Watch it and enjoy.


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